{"id":470,"date":"2017-01-28T21:13:56","date_gmt":"2017-01-28T21:13:56","guid":{"rendered":"http:\/\/www.dongpingzhang.com\/?p=470"},"modified":"2017-01-29T17:48:18","modified_gmt":"2017-01-29T17:48:18","slug":"illusions-the-adventures-of-a-reluctant-messiah","status":"publish","type":"post","link":"http:\/\/www.dongpingzhang.com\/?p=470","title":{"rendered":"Illusions &#8211; The Adventures of a Reluctant Messiah"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\" alignleft\" src=\"https:\/\/upload.wikimedia.org\/wikipedia\/en\/b\/b2\/Illusions_Richard_Bach.jpg\" width=\"235\" height=\"302\" \/><\/p>\n<p style=\"text-align: left;\"><span style=\"font-weight: 400;\">By Richard Bach, the author of Jonathan Livingston Seagull<\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"font-weight: 400;\">This is a book about the time spent together between Richard, the author, and Donald Shimoda, a Messiah who can see through all the illusions of the world and know the reality behind. They flew old planes from town to town, selling short rides to people. The gists of the book are buried inside the conversations, the activities illustrating and embodying the views that Donald tries to make Richard see, and Richard\u2019s reading of the \u201c<\/span><i><span style=\"font-weight: 400;\">Saviour\u2019s Manual<\/span><\/i><span style=\"font-weight: 400;\">\u201d, the so-called \u201c<\/span><i><span style=\"font-weight: 400;\">bible for masters<\/span><\/i><span style=\"font-weight: 400;\">\u201d. <\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"font-weight: 400;\">While I was reading this book for the first time, my impression was that this is such a weird and yet mysteriously interesting book. Many passages did not go through to me. Despite that, I was intrigued to carry on reading and find out more. After reaching the end of it, I was not sure what to think of this book. Why is that? Could it be that I am not \u201cspiritual\u201d enough? Perhaps I do not have a \u201csoul\u201d as once I received this comment in a joking way because I was not willing to join the massive tourist crowd to visit the tallest building in Shanghai. There were stories, conversations and quotes from the \u201cMessiah\u2019s Handbook, Reminders for the Advanced Soul\u201d that I partially comprehended, but was also puzzled by. I found myself thinking: what is the author trying to convey beyond the set of messages? what does the author want the reader to think while turning each page? there may not be an fixed agenda in the author\u2019s mind as he simply wants the reader to have his\/her own interpretation; maybe somewhere in between? <\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"font-weight: 400;\">It did not take long before I decided to re-read Illusions. The unyielding quest of comprehension, discovery and curiosity tortured me for a couple days before I gave in and re-read the book. Giving it the second chance rewarded me with much more profound and thought-provoking reading experience. It reminded me of my relationship with Richard\u2019s <\/span><i><span style=\"font-weight: 400;\">Jonathan Livingston Seagull<\/span><\/i><span style=\"font-weight: 400;\"> over the years. That little book migrated with me across the oceans. Every time I picked up <\/span><i><span style=\"font-weight: 400;\">Jonathan Livingston Seagull<\/span><\/i><span style=\"font-weight: 400;\">, I unfailingly discovered something new. <\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"font-weight: 400;\">Reading <\/span><i><span style=\"font-weight: 400;\">Illusions<\/span><\/i><span style=\"font-weight: 400;\"> for the second time cleared up my confusions and shedded more light. Retrospectively, many allegories in this book coupled with Richard Bach\u2019s sometimes liberal usage of the English language probably make the book challenging to read for non-spiritual scientific and analytical minds that are much more comfortable with logic reasoning. I also think one would enjoy the book more if one could be patient, chew the sentences and think, linking the abstract concepts with one\u2019s own experience. It is tremendously hard to select the thought-provoking passages for me to share with you from this book. Half of the book deserves to be quoted. Subsequently to comprehend those quotes, you would need to read the other half of the book. Here is my attempt to select very few. <\/span><\/p>\n<ul style=\"text-align: left;\">\n<li style=\"font-weight: 400;\"><i><span style=\"font-weight: 400;\">Your only obligation in any lifetime is to be true to yourself. Being true to anyone else or anything else is not only impossible, but the mark of a fake messiah.<\/span><\/i><\/li>\n<li style=\"font-weight: 400;\"><i><span style=\"font-weight: 400;\">Live never to be ashamed if anything you do or say is published around the world &#8211; even if what is published is not true.<\/span><\/i><\/li>\n<li style=\"font-weight: 400;\"><i><span style=\"font-weight: 400;\">You are led through your lifetime by the inner learning creature, the playful spiritual being that is your real self. Don\u2019t turn away from possible futures before you\u2019re certain you do not have anything to learn from them. You\u2019re always free to change your mind and choose a different future or a different past.<\/span><\/i><\/li>\n<li style=\"font-weight: 400;\"><i><span style=\"font-weight: 400;\">The bond that links your true family is not one of blood, but of respect and joy in each other\u2019s life.<\/span><\/i><\/li>\n<li style=\"font-weight: 400;\"><i><span style=\"font-weight: 400;\">Negative attachments, Richard. If you really want to remove a cloud from your life, you do not make a production out of it, you just relax and remove it from your thinking.<\/span><\/i><span style=\"font-weight: 400;\"> I found myself not in full agreement with this point of view. In some cases, there are actions that we ought to take to improve the circumstances, beyond just removing the negative attachment from the thinking. <\/span><\/li>\n<li style=\"font-weight: 400;\"><span style=\"font-weight: 400;\">Donald argued fiercely: <\/span><i><span style=\"font-weight: 400;\">&#8230;.how many people do you think live in your world? You say four billion people live in your world? Are you standing way down there on the ground and telling me that four billion people do not live in four billion separate worlds, are you going to put that across on me?&#8230;<\/span><\/i><span style=\"font-weight: 400;\"> Sometimes we ask ourselves which planet someone else is living on such that he\/she could have so very different perspectives compared with ours. How about stepping back and asking a different question next time: why should we expect him\/her to have the same views as ours? Naturally, the followup thoughts are: How can I see reasons in his\/her perspective? What lead to it? Perhaps we can try to understand first before seeking being understood. <\/span><\/li>\n<li style=\"font-weight: 400;\"><span style=\"font-weight: 400;\">Donald used the allegory of a vampire sucking blood to illustrate his point of free choice. <\/span><i><span style=\"font-weight: 400;\">\u201cHe was going to suck my blood!\u201d \u201cWhich is what we do to anyone when we say we\u2019ll be hurt if they don\u2019t live our way.\u201d&#8230;. \u201cWe choose, ourselves, to be hurt or not to be hurt, no matter what. Us who decides. Nobody else. My vampire told you he\u2019d be hurt if you didn\u2019t let him? That\u2019s his decision to be hurt, that\u2019s his choice. What you do about it is your decision, your choice: give him blood; ignore him; tie him up; drive a stake of holly through his heart. If he doesn\u2019t want the holly stake, he\u2019s free to resist, in whatever way he wants. It goes on and on, choices, choices.\u201d<\/span><\/i><span style=\"font-weight: 400;\"> We often see people letting others make the decisions for themselves and blaming others for the consequences. Remember: <\/span><i><span style=\"font-weight: 400;\">We are all, Free. To do. Whatever. We want. To do.<\/span><\/i><span style=\"font-weight: 400;\"> Obviously, to use your own judgement on exercising this and never cease improving that inner guidance. <\/span><\/li>\n<\/ul>\n<p style=\"text-align: left;\"><span style=\"font-weight: 400;\">Extra: <\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"font-weight: 400;\">In the foreword, Richard Bach described the urge of writing as \u201conce in a while there\u2019s a great dynamite-burst of flying glass and brick and splinters through the front wall and somebody stalks over the rubble, seizes me by the throat and gently says, \u201cI will not let you go until you set me, in words, on paper.\u201d That\u2019s how I met <\/span><i><span style=\"font-weight: 400;\">Illusions<\/span><\/i><span style=\"font-weight: 400;\">.\u201d <\/span><\/p>\n<p style=\"text-align: left;\"><a href=\"https:\/\/en.wikipedia.org\/wiki\/Elizabeth_Gilbert\"><span style=\"font-weight: 400;\">Elizabeth Gilbert<\/span><\/a><span style=\"font-weight: 400;\">, the author of <\/span><i><span style=\"font-weight: 400;\">Eat, Pray, Love, <\/span><\/i><span style=\"font-weight: 400;\">described how the genius of writing poem comes to poet Ruth Stone in her TED talk \u201c<\/span><a href=\"http:\/\/www.ted.com\/talks\/elizabeth_gilbert_on_genius\"><span style=\"font-weight: 400;\">Your Elusive Creative Genius<\/span><\/a><span style=\"font-weight: 400;\">\u201d. I watched this fascinating clip of her TED talk countless times. Here is Elizabeth\u2019s description with a tiny twist at the beginning: <\/span><\/p>\n<p style=\"text-align: left; padding-left: 30px;\"><i><span style=\"font-weight: 400;\">While working in the fields, Ruth would feel and hear a poem coming at her from over the landscape. <\/span><\/i><i><span style=\"font-weight: 400;\">she would be out working in the fields,<\/span><\/i> <i><span style=\"font-weight: 400;\">and she said she would feel and hear a poem<\/span><\/i> <i><span style=\"font-weight: 400;\">coming at her from over the landscape.<\/span><\/i> <i><span style=\"font-weight: 400;\">And she said it was like a thunderous train of air.<\/span><\/i> <i><span style=\"font-weight: 400;\">And it would come barreling down at her over the landscape.<\/span><\/i> <i><span style=\"font-weight: 400;\">And she felt it coming, because it would shake the earth under her feet.<\/span><\/i> <i><span style=\"font-weight: 400;\">She knew that she had only one thing to do at that point,<\/span><\/i> <i><span style=\"font-weight: 400;\">and that was to, in her words, &#8220;run like hell.&#8221;<\/span><\/i> <i><span style=\"font-weight: 400;\">And she would run like hell to the house<\/span><\/i> <i><span style=\"font-weight: 400;\">and she would be getting chased by this poem,<\/span><\/i> <i><span style=\"font-weight: 400;\">and the whole deal was that she had to get to a piece of paper and a pencil<\/span><\/i> <i><span style=\"font-weight: 400;\">fast enough so that when it thundered through her, she could collect it<\/span><\/i> <i><span style=\"font-weight: 400;\">and grab it on the page.<\/span><\/i> <i><span style=\"font-weight: 400;\">And other times she wouldn&#8217;t be fast enough,<\/span><\/i> <i><span style=\"font-weight: 400;\">so she&#8217;d be running and running, and she wouldn&#8217;t get to the house<\/span><\/i> <i><span style=\"font-weight: 400;\">and the poem would barrel through her and she would miss it<\/span><\/i> <i><span style=\"font-weight: 400;\">and she said it would continue on across the landscape,<\/span><\/i> <i><span style=\"font-weight: 400;\">looking, as she put it &#8220;for another poet.&#8221;<\/span><\/i> <i><span style=\"font-weight: 400;\">And then there were these times \u2014<\/span><\/i> <i><span style=\"font-weight: 400;\">this is the piece I never forgot \u2014<\/span><\/i> <i><span style=\"font-weight: 400;\">she said that there were moments where she would almost miss it, right?<\/span><\/i> <i><span style=\"font-weight: 400;\">So, she&#8217;s running to the house and she&#8217;s looking for the paper<\/span><\/i> <i><span style=\"font-weight: 400;\">and the poem passes through her,<\/span><\/i> <i><span style=\"font-weight: 400;\">and she grabs a pencil just as it&#8217;s going through her,<\/span><\/i> <i><span style=\"font-weight: 400;\">and then she said, it was like she would reach out with her other hand<\/span><\/i> <i><span style=\"font-weight: 400;\">and she would catch it.<\/span><\/i> <i><span style=\"font-weight: 400;\">She would catch the poem by its tail,<\/span><\/i> <i><span style=\"font-weight: 400;\">and she would pull it backwards into her body<\/span><\/i> <i><span style=\"font-weight: 400;\">as she was transcribing on the page.<\/span><\/i> <i><span style=\"font-weight: 400;\">And in these instances, the poem would come up on the page perfect and intact<\/span><\/i> <i><span style=\"font-weight: 400;\">but backwards, from the last word to the first. <\/span><\/i><\/p>\n<p style=\"text-align: left;\"><span style=\"font-weight: 400;\">Now you see some similarity of the Richard\u2019s foreword and Elizabeth\u2019s descriptions of the arrival of Ruth Stone\u2019s genius. Great writings all have profound impact on their readers. The process of creating each of those writings is uniquely fascinating. \u00a0<\/span><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>By Richard Bach, the author of Jonathan Livingston Seagull This is a book about the time spent together between Richard, the author, and Donald Shimoda, a Messiah who can see through all the illusions of the world and know the reality behind. They flew old planes from town to town, selling short rides to people. &hellip; <a href=\"http:\/\/www.dongpingzhang.com\/?p=470\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">Illusions &#8211; The Adventures of a Reluctant Messiah<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[3],"tags":[],"class_list":["post-470","post","type-post","status-publish","format-standard","hentry","category-books"],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/paFL7T-7A","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"http:\/\/www.dongpingzhang.com\/index.php?rest_route=\/wp\/v2\/posts\/470","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.dongpingzhang.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.dongpingzhang.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.dongpingzhang.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.dongpingzhang.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=470"}],"version-history":[{"count":10,"href":"http:\/\/www.dongpingzhang.com\/index.php?rest_route=\/wp\/v2\/posts\/470\/revisions"}],"predecessor-version":[{"id":480,"href":"http:\/\/www.dongpingzhang.com\/index.php?rest_route=\/wp\/v2\/posts\/470\/revisions\/480"}],"wp:attachment":[{"href":"http:\/\/www.dongpingzhang.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=470"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.dongpingzhang.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=470"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.dongpingzhang.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=470"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}